Treasury!

Treasury!

Interview with Mark McDevitt of Methane Studios, Inc.

Biography

Methane Studios gotits start in 1998 when Mark McDevitt and Robert Lee formed apartnership to produce silk screen posters for the East Atlanta clubThe Echo Lounge that featured some of the best independent bands inthe late 1990s.

The roots of thispartnership started in the mid 1980s at Columbus College of Art andDesign located in Columbus, Ohio. Robert and Mark, both from smallOhio towns, majored in Illustration and bonded over bad '80shaircuts, corndogs, good music and creating art to form a friendshipthat would transcend into creating award-winning artwork recognizedworldwide. Our status as well-known designers has led us to winawards in design competitions in How, Print magazine, and the Graphisposter annual.

In college we learnedin a more traditional way, which allowed us to explore techniquesthat we use today. We never let our posters "look"computerized. We use the computer like a pencil or paintbrush. Thecomputer has allowed us to speed things up and to explore moreoptions for sure, but we still belly up to the drafting table often.We draw inspiration from many artists, be it musical or visual, and ourwork tends to have a vintage influence and is shipped from oursecret, haunted (true story) studio located in East Point, GA.

Why do you like to print?

I like to silkscreen because the imageslowly comes alive right before your eyes color by color. I like theboldness of the medium, the imperfections and happy accidents thatcome along with it, plus its long history in the art world.

What is your favorite print medium andwhy?

Silkscreen is my fave. I took classeswhen I was in college and later on in my career experimented in mygarage for fun, which turned into Methane Studios. We’re producingsome letterpress cards that we’re excited about and hope tocontinue with more letterpress prints in the future.

How long have you been printing andhow has your work evolved?

We started printing in 1997 and at thetime we didn’t have any expectations for the work since it was moreexperimental, but now we strive for quality and good design. We arealways trying new solutions and growing as artists every year. Thelast thing we want to do is grow stale.

What inspires you?

A lot of the artists from the1940s-1960s inspire me, and I’m always discovering new old artworkposted on design blogs. We’re both music junkies and probably haveenough music that if I dropped dead at my computer it would continueto play music well after I have been mummified.

My family and Robert (my partner andbest bud) always inspire me to work hard, not to mention my boys seemto eat and grow out of everything quickly.

How do your promote your work?

We promote our work through ourwebsite, facebook, blogs and enter a lot of design competitions. Wehave also started to have booths at a lot of different craft fairsaround the country, which are fun. So if you see us, stop by and sayhowdy!

Are you working on any particularprojects now?

We are putting together work for ourFebruary gallery show in Raleigh, NC. In March we have a show inSavannah, GA, at the Bandwagon event, and then we’ll be at SXSW inAustin. In addition to all of that we are busy creating our firstgreeting card line, creating gig posters and getting ready for thebusy summer tour season, which could mean we might create and print more than 50 posters over a four-month period. 

We also get random projects from timeto time, so it’s always interesting to see what comes up on a dailybasis.

Tell us one random fact about yourself.

I used to collect beer cans back in thelate 1970s. I would cruise around Lancaster, Ohio, on my moped anddig in old dumps looking for rusty cone top cans, which were andstill are the most collectible. I can still remember how exciting itwas to make a big find and think about this every time I watchAmerican Pickers. Those cans reside in my man cave today!

Check out Methane Studios' Etsy shop, website and facebook page.

Interview with Cerys Turner

Biography

ALondoner born and raised, I have lived in and explored various partsof this city. I went to Central Saint Martins art college and thenhave done lots of exciting bits and pieces, including a few yearsworking full time in fashion and even a one-time biscuit icer! I amcurrently working freelance and getting into creative projects withdifferent client groups within the community.

Whydo you like to print?

Ienjoy drawing, painting and collaging and find print a good way tocombine ideas and be more selective with colour, shape and line. Ireally like the way you can build up layers, too.

Whatis your favorite print medium and why?

Istill remember the day I learned to screen print at art school. Eventhough I had done other printing before, like mono printing and a fewother techniques and enjoyed them, I got this feeling of excitement and amazing rush that I'd discovered my 'thing'. I didn't want toleave the print studio!

Howlong have you been printing and how has your work evolved? 

I've beenprinting for roughly 8 years, I love to experiment, so my initialwork was very experimental, but having had industry experiencedesigning in-house for fashion companies, I've definitely learned todesign in a more controlled way for specific clients, too.

Whatinspires you?

Colour.I am inspired by the way it's used in art, particularly abstractexpressionist artists like Rothko, Kiefer, Klee where the colour isstrong and evokes emotions. I'm inspired by things I see around thecity, the contrast between the urban landscape, nature breakingthrough and layers of history breaking through; unusual flowers,noisy birds, misplaced trees, clear blue skies over rigid greybuildings, historical architecture, ripped posters revealing hiddenimages. I love finding unusual things from the past and beautifulvintage fabrics - I often go to car boot sales and flea markets insearch of eclectic objects.

Howdo your promote your work? 

Mainly through word of mouth, but havingan Etsy shop has been a great way to start reaching peopleinternationally. I also have a blog and have started to tweet...

Areyou working on any particular projects now? 

I am workingon projects with specific client groups -- I am interested in doingcreative workshops with vulnerable and disabled people and possiblycombining this with Art Therapy in the future. There are a couple ofTextile Design studios that I do ongoing projects for -- I've juststarted designing some really exciting prints for fashion swimwear.Developing my own style further is also important to me and I hope tomake more products with my designs on to sell independently.

Tellus one random fact about yourself:

Icollect deers! I really like their calm nature, how graceful theyseem and living in London it is very rare that I get to see them sothey are quite exotic to me. So far I have deers that are pink,wooden, red, sparkly, ceramic, tiny and even flocked.

Please stop by Cerys Turner's etsy shop and blog.

treasury!

treasury!

Interview with Clare Winslow

Biography:

Having originally studied painting and drawing, I discovered printmaking later when I took classes at the Corcoran College of Art in [Washington] DC and at Pyramid Atlantic Art Center in Maryland. As soon as I tried printmaking I was immediately captivated by it. This art form gave me an outlet for all of my creative identities: draftsman, photographer, digital artist and painter.

What is your favorite print medium and why? Although I love all forms of printmaking, I am especially drawn to screenprinting because it lets me easilycombine layers of color and imagery from my drawings, paintings and photography. Although screenprinting is often associated with flat, poster-like images, through the use of new techniques including building many layers, sanding and sponging ink through the screen, it can also produce prints with texture and painterly surfaces.

Tell us about your work:

As far as process goes, after coming up with a concept, I often use the computer to develop an initial sketch as well as the transparencies, but then I depend on my background in drawing and painting to make decisions about color, value, shape, texture and composition. Ultimately, I try to maintain a balance between process and feeling.

My latest prints deal with the theme of navigation. I am interested in working with signs and symbols that represent our attempts to chart a course through life and the physical world. This year I will produce work for a solo show in 2013, and will attempt to do more experimental printing, working with alternative materials such as textiles and bamboo. I’d really like toget the imagery out of the boundaries of the picture frame.

How do you promote your work?

Regarding shows and sales, I exhibit at the Washington Printmakers Gallery, outside Washington, D.C. I opened my Etsy shop a while back but only recently have had time to promote it. Etsy is a fun place to connect with artists from all over the world. Promoting my work is challenging, but I’m getting more comfortable doing it online through Facebook, by sending out emails to contacts periodically, and by simply talking to people about my work more often.

Tell us about your studio space:

I go to a screenprinting studio in Washington, DC which I can rent by the day and is big enough to allow me to work on large pieces. Now my kids are 8 and 12, I have more time for art, but there's still a lot of juggling going on, a scenario probably familiar to most artists with kids. I try to carve out time every day for art, even if it's a short period.

A random fact about me: I'm the child and grandchild of DC painters and a native Washingtonian. There aren't many of those!

Please stop by Clare’s website & Etsy Shop