Interview with Stephanie of Extase

Biography

I attended the Ontario College of Art and Design for a few years. I went there to study drawing and painting and was soon introduced to printmaking. I decided to buy my own small press when I discovered it cost the same as the fees for one course. I've recently stopped using that press in favor of a traditional Japanese-style wood table-top that allows me to register multi-coloured prints. I still live in Toronto and make things and sell them on Etsy and at local shows. 

Why do you like to print?

Every print is different and you never know what the final outcome will be. Lifting the paper from the first test print of a block is still exciting! I love the craft that goes into the art form. I find this combination of craft and fine art very satisfying.

What is your favorite print medium and why?

Linocut. For the reason listed above - I love to carve. It's my favorite part of the process. I enjoy carving wood too, but am not as familiar with it as I am with lino. 

How long have you been printing and how has your work evolved?

I've been printing for about four years. At first, my prints weren't very planned out and I would draw directly onto the linoleum. Over time I've learned to develop an image before transferring it to the block - paying more attention to composition and, more recently, colour and multi-colour composition.

What inspires you?

I love learning new crafts and working at refining my craftsmanship. In terms of general inspiration or subject matter, I'm most inspired by animals and the relationships between animals and humans. Isolation, imagination, dreams and nature. There are some lovely paper and yarn shops in Toronto I love to visit that never fail to inspire me as well. Finding random things on walks like a gnarled piece of tree branch or bones or things people throw away that still have lots of life left in them.

How do your promote your work?

I haven't been actively promoting my work at all. I really have no idea how to go about it in a way I feel comfortable doing.

Are you working on any particular projects now?

I've been doing a lot of painting recently but I have a strong hankering to get back into printing. I'm thinking about a new series that focuses on the relationship between natural and manufactured objects.

Check out Stephanie's Etsy Shop

Interview with Margaret Rankin of magprint

Biography  

My name is Margaret Rankin and I live in Toronto up on a hill about 1 km north of Lake Ontario.  I can see the lake from the top floor of the house.  I have yet to make a print of that lake - maybe someday.

In my day to day working life I am a landscape architect, but I started to make prints over twenty years ago.  I didn’t think I was very serious about it – you know – just sort of a hobby, but as I have been doing it for so long, I have to admit I am serious about my prints.

Why do you like to print?

In a nutshell - total creative freedom!  Making prints fulfills an unspoken creative need in me.  There are almost always ideas floating around in my head and making prints of them really, really satisfies me.

What is your favorite print medium and why?

I work exclusively in relief, partly because I do not have a press and partly because relief is a medium that has so many visual possibilities.  Maybe I just like underdogs. I think relief is a slightly neglected process now – too low tech!

How long have you been printing and how has your work evolved?

I vaguely remember making prints in high school and then forgot all about them until 1987 when I was living in Vancouver.  One late summer day I bumped into my former boss on the corner of Davie and Burrard and we had a very short conversation that changed my life. The next thing I knew, I found myself at Emily Carr College (now University) of Art and Design signing up for a Relief Printmaking course.  That course taught me basic techniques and I have been printing ever since.

My work is restless.  I don’t stick to one idea for very long, but I am slowly training myself to work along more cohesive thematic lines (I hope).  

I started out printing the human figure, until someone asked me why all my figures were missing a part of their anatomy – head, leg, arms.  I didn’t know why then, I still don’t and I have rarely printed figures since.  

My main concentration has been landscape.  First I made prints of the beaches and hills near Mabou, Cape Breton where my father came from.  Then I started to make prints based on combinations of rocks and water. Lately I have been printing windblown or heavily pruned pine trees in black and white.

I also love pattern and have made prints based on my grandmother’s quilts, bamboo forests and most recently, prints inspired by the colourful mayhem of Hundertwasser’s work.

What inspires you?

I am inspired by beautiful clean design and the landscape, especially if the landscape has been manipulated by man (must be the landscape architect in me).  I had the opportunity to spend a few days in Japan in 2008 and some of the landscapes I saw there brought me to tears.

I love Naoko Matsubara’s woodblock prints.  They have a strength and freedom that I aspire to, but have not achieved.

How do your promote your work?

I have to admit, not very consistently. 

I do have a blog that went on hiatus for a couple of years so I am not sure if it really promoted my work, but is up and running again and getting a decent number of visits.  My Flickr account concentrates almost exclusively on my prints and people can find my Etsy store link there. To become more visible, I am participating more on Etsy in terms of keeping abreast of the Teams I am on, searching out and connecting with other printmakers. I participate in local outdoor juried art shows here in Toronto and my work is also shown in a local gallery called Upstairs at 111 Bathurst.

At one point, almost everyone in the office I worked at had at least one of my prints – this promotional tool is known as ‘Gentle Bullying’ –it works!

Are you working on any particular projects now?  

I have started a series of prints based on an urban park in Toronto on the Ryerson Campus.  The park is called Devonian Garden and features a pool/skating rink with almost impossibly huge granite boulders weaving through the design.  The juxtaposition of water and stone against architecture is stunning.  I am trying to portray that contrast of mad-made and a natural in large scale prints.

Tell us one random fact about yourself

 

When I visited my sister in Paris, she promptly lost me in the Metro system a few hours after I arrived.  This was before cell phones. I hadn’t memorized her address or phone number and my French is pretty poor, so I was stuck. But I managed to find my way back to her apartment and got there just as she was about to get her boyfriend (a policeman) to launch a search for me! 

Check out Margaret's Etsy Shop and Blog