John Maneval

John's Etsy Site and My Space Site are linked at the bottom of this interview.



Biography

I live in a small town in Pennsylvania. I love music, strange old things, cats and screen printing. I never went to art school.


How did you get started in printmaking?

My senior year of high school I took a graphics class, mostly because I wanted to make t-shirts. I loved doing it and that summer got a job at a local screen printing shop. I spent the next two summers printing family reunion, pizza shop and little league t-shirts and I loved it! A couple years later, I booked a show and the one band had screen printed posters. I thought that poster was the coolest thing ever. I fell in love all over again and eventually started to print posters of my own.

Describe where you work

Everything is done in my apartment. The actual printing is done in my kitchen, my living room floor is my “drying rack”, and I expose screens in my bathroom. It’s not pretty, but it works. There are days I get frustrated and feel like I am living in my printing space rather than printing in my living space, but I get over it. Someday I would like to have a more dedicated printing space though.

What's your favorite printmaking process?

Screen printing hands down, although there are some (methods) I have never delved into. I love the boldness and thickness of the colors, dragging the squeegee across the screen, then lifting it up and seeing what was just created.

What's your creative process for any given print?

After I have some sort of idea of where I am going with it I will start doing some little sketches. They are tiny and very rough, consisting of stick figures and notes in the margins. If people saw them they would think I was the worst artist ever. It’s like when your third grade teacher tried to draw an example of an Indian canoe on the black board and it looked like a radio riding in a banana. Once I have one that I like I jump in and start drawing it out. I try to use computers as little as possible along the way. I like things to look gritty and handmade. There is probably a Photoshop filter for “gritty and handmade”. Screw that! I search for ideas on a computer and sometimes do halftones and such on there, but I do my lettering, drawing, and color separations by hand.

What do you enjoy most about printmaking?

That’s a tough one. There are a few things I really love. I love being able to draw and be creative. It’s an outlet for me. I love actually printing and seeing the work I have put in turn into something; like I said before, lifting the screen and seeing what you have made. Especially when it’s the last color and you get to see this image in your head right there on the paper, how it was meant to be. Maybe it’s just how you imagined all along or maybe it’s a touch different, but there it is, right in front of you! That’s exciting!

I love sharing my art, meeting people, and getting their feedback. I like hearing what people have to say about my work and how it makes them feel. Maybe they get something different out of it than I felt when I made it, or than I intended, but that’s the beauty of any art. It is right there in front of you as it exists, it looks the same to everyone. However every moment of your life up until you see that piece effects how it makes you feel. That feeling you get could be drastically different than the person next to you or even the artist. The fact everyone can take something different away is what really makes art amazing and powerful to me.

What's your least favorite part of the process?

Cleaning. Does anyone say anything other than cleaning? If I could I would have a setup like that episode of the Simpsons where Homer sees where the bowling pins come from, but with screens.


What are your inspirations (other artists, people, places, events, etc.)?

Jay Ryan, Leia Bell, Drew Millward, street art, cartoons, old roadside attractions, my friends Jeremy, Ryan and Tim's art, music, things I find at the flea market, horror movies, cryptozoology, old circus posters.


How has your work changed and evolved since you started?

I'd like to think I have gotten better.


How do you get past creative slumps?

This can be rough for me. If it's a gig poster, I will listen to the band and try to pick little interesting nuggets out of their lyrics. I look back through my sketch book, look at other's art, do Google image searches for weird stuff. You'd be surprised what you can see when you search “annoyed frog” or something. The funny thing is I usually get like three ideas for other projects before I come up with what I'm looking for!


How do you promote your work?

I do interviews for awesome blogs about printmaking! I make flyers and post on message boards. I guess I promote like someone would promote their band, cause that's what is familiar to me. Occasionally I set up at punk rock flea markets or alternative craft fair type events too.

Any other comments or advice for others who want to try making hand-pulled prints?

My first bit of advice is just jump in and do it. Don't worry if you're good or not, it's not that important. Art totally changed for me the day I figured out that you don't have to be good. I grew up in the punk scene and its just like punk bands, they aren't very good at playing their instruments, but there is a passion there. Just do what you want to do, put your heart into it, and you will probably be surprised how it goes. Someone will like it. Then you will enjoy creating and you will accidentally get better.

For all those printing at home, CLR will clean all the ink and emulsion out of your bathtub. Don't get too attached to your security deposit. Ink gets on stuff, it's just what it does. Lock your cat in another room when you print. There is a reason cats don't screen print, they aren't very good at it.

John’s My Space Site

John’s Etsy Site

Printsy Interview - Nate Nolting

Interviewed by: sheggestad
Name: Nate Nolting
Websites:
www.withremote.com
withremote.etsy.com
www.flickr.com/photos/withremote/

Brief Bio
I am almost 30, I’ve been screen printing for 7 years, and I’m having a blast doing it!

I started Withremote in 2002 while working on my senior thesis at the College of Visual Arts in St. Paul, MN on “Graffiti as a form of Graph Design”. Back then most of my work was photocopies and stencils (I think I lost a lot of brain cells back then from spray paint). I built up a screen printing studio in St. Paul over a few months in 2005 to start creating rock posters and art prints. I try and make at least one print run a week depending on my schedule.
Through the use of screen printing I create art prints and other items that are a response to the world around me.


What printmaking medium do you most often work in, and why?
The medium I used the mostly is screen printing. I dabbled in just about every other printmaking technique in college, but I really gravitated toward screen printing while producing gig posters for First Avenue in Minneapolis, MN. I guess I’m a sucker for big halftones and how quick I can print by hand with a screen and squeegee.

How did you get started in printmaking?
After college at the College of Visual Arts in St. Paul, MN, I joined a group called Squad19, a graphic artist coalition in Minneapolis. The main focus of the group at the time was to produce graphics for the music industry. So naturally we worked on a lot of gig posters. At the time there were three of us in Squad19 and none of us had any idea how to print. With the help of users on gigposters.com and a lot of trial and error, we eventually figured it out and were soon making 1-2 gig posters a week with editions of 50-75.

Do you find yourself having to explain to your family just what it is that you do, at every family get-together? In other words, "Print Education"?
Oh, I have to explain what I do at just about every turn. My wife is fairly educated in the process now (I get her to come and rack prints for me sometimes) and I try to explain what I do to my family but it usually comes out as I make some sort of pictures. I’m one of the only “artists” in my family, and most of what they know as art involves ducks and deer in some fashion.
What I have to explain the most is what “Withremote” is. It’s just a name people, like Target. Get over it.

Describe your creative process.
Generally I try and create a different style for each print I make. Usually my prints come out of whatever I’m doing that week or something that I saw/heard that I want to make a print in response to. A few times I have had people ask me how many people work in my studio to make this much work. I say “just me”.

What's your least favorite part of the process?
Clean up, my hands end up smelling like Comet cleaner for a day and a half after cleaning out screens.

What inspires you?
I am inspired by the news, fashion, prime time sitcoms, video games from my youth, my wife and my son.

How has your work changed/evolved since you started?
My work has gone in waves. After college I was doing a lot of politically motivated work, mainly as a response to the war in Iraq and the war on terrorism. Then my work shifted to rock posters, which were half about the music and half about experimenting with forms and what I could get away with. Now that I’m a dad, I have toned down my work, involving more “cute” elements in my prints rather than skulls and flames.

How do you get past creative slumps?
If I get in a creative slump I just try something else, usually painting. If I can’t come up with something, I scour websites like FFFOUND and others to get some inspiration, or I just take a break from it all and turn on my Wii. I generally don’t get stuck too long. The hardest time is the winter since I’m not printing due to the cold and an unheated shop.

How do you promote your work?
I mainly sell/promote online, on Etsy and my site, and then two craft shows a year in the Twin Cities. I do Craftstravaganza in the spring and No Coast Craft-O Rama in the winter. I’ve been doing both of them for a few years now and have built a decent following.

Any long-term goals as a printmaker?
I would like to keep going, to build a heated shop on our land so that I can produce year round, and possibly teach.