Sunday, November 29, 2009

Printsy Interview - Travis Weller

Websites: www.travisweller.com, www.yeparts.com
Etsy: www.travisweller.etsy.com
Flickr: www.flickr.com/photos/42401209@N04

Brief Bio:
I live in San Francisco, CA, where I own and operate Yep Arts. Yep Arts revolves around screen printing. I print clothing for a number of artists here in SF, design and print posters for events, design and print my own clothing line, and print fine art serigraphs for solo and group exhibitions.

How did you get started in printmaking?
I started printmaking while I was working on my MFA in North Carolina. I started graduate school as painter, but my curiosity led me to the printmaking studio. I watched someone who was working on a serigraph and realized that I could make paintings without actually painting. I went back to my studio, started exploring screen printing, and have been doing it ever since.

Describe where you work.
I recently moved into a great space in the Mission district of San Francisco. I operate Yep Arts out of this space. It houses an exposure unit, press, dryers, drawing tables, printing tables, digital station, and office. I am very fortunate to have a work space, but it did not come without countless days of hard work in less than ideal conditions.


Before this space, I worked entirely out of my bedroom. I converted my small closet into a makeshift darkroom for coating and exposing screens. All work (paper and clothing) was printed in my room on a table with hinge clamps. I often has so much work piled on my floor and bed that I could not sleep in my room. In time, I was giving away all of my belongings to make more room for studio supplies. So now, I have a bedroom again, and I can even sleep there.

What's your favorite printmaking process?
Screen printing, all the way.

What's your creative process for any given print?
I almost always work series. The beginning of my process involves deciding on a subject to explore. Once that decision is made, I'll begin drawing a series of ideas that will eventually complete the whole thought.

What do you enjoy most about printmaking?
The process. I absolutely love the series of events that lead to a final series of prints. There are so many little parts to the process, each with equal importance. Thinking, drawing, scanning, exposing, tearing, registering, composing, printing. I get so pumped just thinking about it.


What's your least favorite part of the process?
I am not really sure that I have a least favorite part. Each step of the process is so important to the end result, I give equal attention to all. That is what keeps me so interested and involved in screen printing.

What are your inspirations (other artists, people, places, events, etc.)?
I am inspired mostly by the people in my life who make what I do possible. My family, for always allowing and encouraging me to reach for the stars; my partner, for her unparalleled support and believing in me; my professors, for giving me the freedom to explore and guidance to succeed; and my peers, for continuing to push the limits that continually make us better at what we do.


How do you get past creative slumps?
Keep working. Working through slumps can be the best method for spawning new ideas and methods. Some of my best work has come out of creative slumps, where otherwise I may not have followed through with certain concepts.

How do you promote your work?
Most of my formal promotion happens online. Through my websites, etsy, flickr, facebook, kind of the normal stuff. All of this is necessary to reach and stay connected with people all over the world. But what I most prefer is word-of-mouth. I have built Yep Arts from the ground up, mostly relying on clients and friends who have spread the word about what I do and how I do it. For me, there is no higher honor than grassroots advertising from people who respect my work ethic.


Any other comments or advice for others who want to try making hand-pulled prints?
Go for it. With a little creativity and a lot of motivation, wonderful things can happen. There is plenty of how-to information available online, in books, and community workshops. Do your research, then get to work. You will never know what is possible until you try.

Sunday, November 22, 2009

Printsy Interview - Mandy Laschon


Website: mandylaschon.com
Etsy: mandymayl.etsy.com

Brief Bio
Human culture is like folklore ever changing and ever forgotten, replaced by something newer and better or even just different. The forgotten, the replaced is what I find compelling; to dig up the past with its richness and understand its roots. Words, icons, and beliefs are just some of the ideas that hold such tradition from which to pull concepts that I relate.

I find myself listening to phrases very literally, in everyday conversation. As humans we have made metaphors into figures of speech. For one to say “ push the envelope” doesn’t mean to find an envelope and to push it; everyone knows that. By illustrating our creative forms of speech and phrases we shed new light on what the words mean. The idea of taking phrases literally has led me to seeing symbols or iconography literally, as well. The image of an animal or object can have many literal meanings, and even more captivating symbolic meanings. Through the years we have lost the symbolic meanings and in some cases gained new and different ones.


How did you get started in printmaking?
I went to college for a Fine Arts Degree but they didn't offer an emphasis in Drawing so I took a printmaking class and fell in love with it. My drawing/printmaking professor help me along my relationship with printmaking.

Describe where you work.
I work in an alcove of my home, a dormer window to be exact and it is a cozy creative place.

What's your favourite printmaking process?
I have a heart for intaglio, but it is easier for me to do linocuts at home.


What's your creative process for any given print? (eg. sketch first? Pre-planned or free-form?)
I listen to music or read, sometimes just a phrase pops into my head and the image grows from that.

What do you enjoy most about printmaking?
All the tedious time consuming processes.

What's your least favorite part of the process?
I know the least about lithography my master professor was a traditional printmaker.

What are your inspirations (other artists, people, places, events, etc.)?
All music, my Catholic faith, and books.


How has your work changed and evolved since you started?

I have since college read more about traditional printmaking and now my work in echoing a less contemporary look.

Recently I have spent some time as a missionary in Honduras. This beauty in the people's true true faith when they have nothing is amazing. This will shape my art in the future. The heart of the people that will give you everything when they have nothing. The hope they have when it truly seems hopeless. Maybe even the colors and images in thier art.

How do you get past creative slumps?
I draw little silly illustrations, and listen to more music

How do you promote your work?
I have a website, I use ETSY.com and I submit to art exhibitions and publications several times a year.


Any other comments or advice for others who want to try making hand-pulled prints?
Read all the old books in the library about printmaking they have the BEST advice.

Sunday, November 15, 2009

Printsy Interview - Katherine Fahey

Etsy: 2hawks2fishes.etsy.com
Websites: katherinefahey.com, 2hawks2fishes.com
Flickr: flickr.com/photos/kathys_smile
Blog: 2hawks2fishes.blogspot.com

Brief Bio
I'm a Baltimore artist, originally from Virginia, where I grew up making maps with my father. I spend my time making work, doing commissions, and craft shows. When I'm not doing that I'm walking in the woods, hanging with my husband and cats, swimming, singing sacred harp, or playing my guitar.

How did you get started in printmaking?
I was doing some artwork for friends... cd covers and posters... and I realized it would be much easier if I could screen print.


Describe where you work.
My studio is on the top floor of an old row home in the heart of downtown Baltimore. The walls are covered with screen prints, posters, and cd art work of my own and friends who inspire me.

What's your favorite printmaking process?
I do a lot of layered work and combining screen printing with painting and stenciling.


What's your creative process for any given print? (eg. sketch first? Pre-planned or free-form?)
I generally sketch and often take photos. Then I piece it together by hand or, if it's design work, on the computer first.

What do you enjoy most about printmaking?
I like how it makes art more accessible to more people. I like how a poster can be encountered all round town or even around the country and someone can just take it. I enjoy being able to make affordable prints which are available to a wider audience. I love coming up with ideas, and collaboration with clients or other artists/designers.


What's your least favorite part of the process?
Probably the unhealthy products (how I feel after printing for a long time or washing out a bunch of screens) and having to stay inside for long periods of time.

What are your inspirations (other artists, people, places, events, etc.)?
Music, but mostly Baltimore Music, Poetry, Baltimore, of course, the creative energy and down to earth spirit of the place, nature (I walk in the forest a lot), other designers and artists.

How has your work changed and evolved since you started?
I actually studied sculpture originally. Then after school I was doing a lot of small collages since I was traveling around a lot. After I worked as a decorative painter for five years I started doing a lot of stenciling, which lead to teaching myself screen printing and block printing.


How do you get past creative slumps?
Working with other people always gets me excited again, the exchange of ideas... also going for walks always helps.

How do you promote your work?
My web sites, flickr, and a blog. It's important to have and online presence as well as stay involved locally with different events and projects. I feel really fortunate the local art and music scene is pretty close knit since Baltimore is a small city.


Any other comments or advice for others who want to try making hand-pulled prints?
Visit other printmakers' studios. Watch how they do it. You will learn more that way then from any class or book and get inspired watching another creative person at work.